Major figures from across the TV and advertising industries - including Channel 4 chief executive Andy Duncan, ITV director of programming Peter Fincham, and Proctor and Gamble marketing director Roisin Donnelly - joined together at Thinkbox's Televisionaries event to share their visions for the future of commercial TV - what it means for viewers and what it means for brands. You can find out what was said and watch our stellar cast of Televisionaries on film here.





25
November
2008

Common language

by Tess Alps

At Televisionaries last week, Channel 4’s Andy Duncan chose to begin his excellent speech by revealing to everyone in the room – and everyone watching on the web – that he had been given a sheet of guidelines by me on words and phrases that we prefer and some to avoid if possible . How embarrassing, you might think, being outed as a control freak, to everyone’s vast amusement. But I stand by my desire to ask everyone to unite behind some common language. Here’s why…

The guidelines were intended as a means of helping our audience through the often arcane jargon of the TV industry. Media isn’t the centre of the universe for advertisers, quite reasonably, and they can do without trying to work out whether traditional, linear, regular, normal, established, conventional or broadcast TV are the same thing or not. Most wouldn’t know what VoD was and might guess it was a distant planet in Star Trek. IPTV, online TV, broadband TV and web TV… erm… help!

The visionaries on our stage were all given exactly the same advice because we’ve recognised a need for much greater consistency in the language the TV world uses. We need to make it more easily understandable so we wanted our visionaries to share the same lexicon.

One good example of how language needs to be accurate, and a particular bĂȘte noire round these parts, is how the word ‘digital’ is used. I always have to ask people what they mean? Do they mean digital broadcasting or do they mean the internet? Given that most major media already have significant digital elements – TV will be 100 per cent digitally broadcast by 2012 – digital is an increasingly meaningless and unhelpful word. If you mean the internet why not say internet or online. That’s what consumers would say. In fact normal people would never use the word digital to mean the internet, though they might use it to describe their new camera or telly. If you mean internet plus mobile plus gaming plus computing then I can offer interactive media as a better phrase, though why wouldn’t you use the more specific word? In my opinion, even ‘the internet’ is a bit broad and unspecific when talking about media planning; do you mean search or email marketing or website development or banners etc?

Another reason we made our suggestions was to minimise jargon. We’re not big fans of jargon at Thinkbox because we prefer, when we can, to use the words and phrases that viewers use; they should be the people we keep at the centre of our focus. We’re trying (with difficulty) to wean ourselves off the industry acronym PVR because it makes little sense to ordinary people. DTR (digital television recorder) makes more sense because it records digital TV and you’ll find that’s what retailers call them. It’s a very good pointer to how viewers think about things. Mind you, most of them just call their DTR Sky+, or its equivalent.

So, there you have it: a teeny-tiny little bit control-freaky maybe, but all done with the best of intentions.

19
November
2008

Recurring fragments

by Tess Alps

We’re all set for the big event tomorrow. Having seen most of the presentations and new research I’m confident it’s going to be great.

One topic recurs in many contributions, and that’s fragmentation. In the past, lower individual ratings for programmes were associated with off-peak content and restricted coverage. But, as a couple of speakers will point out, that’s just not the case any more. Here’s why.

Firstly, multi-channel offerings have added thematic or ‘passion’ channels to TV’s range. Whether you’re nuts about sport, natural history, arthouse film, news or food you can find them on TV at any time these days. The viewing to those programmes is as engaged and rewarding as any other appointment-to-view TV. They also offer highly targeted audiences to advertisers that in any other medium would be highly valued.

Secondly, the TV companies are actively investing in new platforms that are likely to ‘fragment’ the audience further and they are doing this to enhance the viewing experience. The ability watch your favourite TV on a +1 channel, from a digital TV recorder, via IPTV or from a web service is making TV more pleasurable for viewers but it is encouraging the total audience to access TV at different times, and that is often portrayed as a regrettable thing. However, programmes are seen by just as many people – more in many instances – as in the past. Channel 4 have many examples where a programme, Shameless for example, now reaches many more people in a short space of time via all its broadcast channels and on-demand platforms than it ever did just from one primary broadcast. So there’s no cultural fragmentation going on; the fragmentation is purely about access.

All on-demand TV is ‘appointment-to-view’ by definition. Convincing advertisers and agencies that this sort of ‘fragmentation’ is actually making their TV advertising more powerful is top of our to-do list and worthy of some thoughtful debate tomorrow.

So, thank God, we’re nearly there! Tomorrow we will congregate in a former church and, unlike church, we’ll debate rather than just listen. One final thought is this piece in the Observer last weekend which sets the event nicely in context. Yes, media are enduring a pretty shit time, but an apocalypse it is not. More to the point for us, TV has a very positive future; one that we’re looking forward to exploring tomorrow.

This is your last chance to raise any more issues you’d like us to cover. Fire away.

4
November
2008

Bloody Big Haul

by Tess Alps

Massive congratulations to all the worthy winners at last nights IPA Effectiveness Awards, and in particular to the collective geniuses at BBH for scooping the Grand Prix and the Effectiveness Company of the Year award. God knows how big a mantelpiece they have in their building as they have to find room for both those special awards as well as two other Gold awards, a Silver and a Bronze. It should be a very happy Nick Gill who takes to the stage at Televisionaries.

We sponsor the IPA Effectiveness Awards for many reasons, but the main one is that word Effectiveness. Right now nothing is more needed than cast iron proof of the return on marketing investment. It’s a cause central to Thinkbox’s efforts and we couldn’t be more proud to be the sponsor of the awards.

We are also proud on behalf of TV. It once again proved its peerless effectiveness, dominating the award winners by appearing at the heart of 22 of the 23 winning campaigns (press was in 19, outdoor in 15, online in 14, PR in 13, DM in 9, and cinema in 6). It underlined the findings from the research Les Binet did with Peter Field in their book Marketing in the Era of Accountability. They examined 27 years worth of IPA case studies and found that campaigns involving TV are 25 per cent more effective than those without.

But also of interest (and lest we bang our TV drum too hard) is that it is not just TV on its own that creates effectiveness. Clearly TV needs to be at the heart of the most successful ad campaigns, but if the IPA Awards show us anything they show us the importance of an integrated approach. The average number of media channels used by winning entries was 6. It is TV plus other media that works best, not it or anything else in isolation. We’ll address TV’s evolving relationship with other media at Televisionaries I’m sure, but what do people think? How will integration develop in the future?

31
October
2008

Dangerous Samples

by David Brennan

‘Research’ is in danger of losing its point. It has become a much abused term these days; days when a few (albeit well-intentioned) questions can be tossed at a small, random sample of wholly unrepresentative people and then their answers offered up as evidence of something significant. For such significance, you may as well hang around the stage door at a Westlife concert and ask those clutching autograph books who their favourite band is. It isn’t going to be the Wu Tang Clan, worthy of our respect though they are.

So we get things like this on the usually wonderful Brand Republic. Half a dozen people in the street are asked their views about DTRs and then those views are published as fact, complete with apocalyptic headline. We responded to the article with the facts and yet, still, people who should know much better come along, dismiss the facts and say that, because it doesn’t ring bells with their own lives, it can’t be true for others. A little blinkered?

I’m all for opinion, but it has to be informed. That’s one of the driving ambitions behind Televisionaries; to arm everyone with the (proven, reliable) facts and then let them loose to argue about the future. Reckless and misleading research shouldn’t be acceptable for any topic, but in an area like this it is criminal because a) people’s claimed behaviour isn’t reliable and, more importantly, b) there’s no need to ask them anyway because we already have regularly updated, hard, reliable, robust data available from the likes of BARB (data from 1,100 homes with a DTR), panels like Sky View (data from over 7,000 homes with Sky+), and studies like the one conducted by London Business School (which observed and recorded thousands of commercial viewing occasions). They all show how viewers actually use their DTR’s, with real time monitoring of large numbers of people who are selected to be representative of the general population. When rigorous research exists to tell us something that doesn’t necessarily tally with our own experience, should we really just ignore it and go looking for evidence to feed our preconceptions, no matter how ropey or unreliable?

23
October
2008

The R-Word

by Tess Alps

So. Mervyn King has dared to use the R-word. However, having heard the Prime Minister speak today at WACL’s 85th anniversary lunch, I’m following his advice and resisting calling this a recession until the facts catch up – or not – with predictions.

Either way, it’s not going to be much fun running media companies next year. Part of predicting the future for TV inevitably entails looking at the immediate future; we’ve all got to get through 2009 and the decisions people take next year will have significant influence over the longer-term shape of the TV industry. The restructurings begun, investments made, and collaborations struck will take place in a climate of caution.

But, as the esteemed MediaGuardian noted this week, there is a silver lining to this dark cloud: people will be watching more TV because they will be staying in more. And there are proven opportunities for brands in this climate to keep spending and steal market share very cheaply, so that they come out of the bad times in fantastic shape and ahead of the competition.

Yesterday morning we staged an event called “Upside to Downturn” which fielded some of the biggest brains in brand econometrics and marketing consultancy. Andrew Sharp of PwC, Professor Paddy Barwise of the London Business School, Karl Weaver of Data2Decisions and Peter Field, co-author of Marketing in the Era of Accountability delivered up an overwhelming body of evidence between them that should help Marketing Directors make the case for maintaining, or even increasing, their advertising spend in a downturn. Case after case study, and various research projects looking at the issue from a variety of angles, all reinforced the broad message that companies who can keep spending end up making far more profit than the short-term saving that cutting ad budgets yields.

But Paddy Barwise emphasised that we should remember the art of the possible; sometimes cuts just have to be made. And in those circumstances, the two original pieces of work commissioned by us from PwC and D2D showed that TV spend deserves to be increased for three reasons: a) it delivers the highest return of any medium – 4.5 times the investment – b) increases and decreases in TV spending produce positive and negative results respectively very quickly and c) TV investment delivers across a broader range of metrics than other media and uniquely can combine quality and value messages.

This point was vividly brought to life by Richard Warren from DLKW who demonstrated how TV had helped Morrisons improve perceptions of their food quality without losing their value positioning, contributing hugely to sales, profit and share growth across 2008.

The question we would ask you is, if TV companies have to prioritise spending next year, what should be at the top of the list? And anyone who wants to share how they have successfully persuaded CFOs to maintain marketing budgets will be very popular.

Yesterday’s research showed that TV was a very reliable investment. Who isn’t looking for a safe haven right now? And with TV CPTs at 1992 levels it’s the best media bargain in the UK.

17
October
2008

Making Gimli green

by Tess Alps

Welcome to the brand spanking new Televisionaries blog from Thinkbox. Here you’ll find the latest thinking and discussion about TV and TV advertising and we encourage you to dive in, shoot your mouth off, agree with, disagree with or add to what we’re saying. We want this to become the destination for anyone looking for informed debate about commercial TV.

Perhaps we should start by defining what we mean by television. Of course, it includes the form of TV we all grew up with; linear scheduled channels delivered by a variety of broadcast technologies to increasingly gorgeous screens in front of sofas. But by TV we also mean the professionally-made A/V content that people can now also enjoy via DVD, web, mobile or IPTV technology on any bit of hardware with a screen, from an MP3 player to a Wii. If viewers call it TV, then so do we. And, whatever the platform it is on, the advertising around that content will be seen as TV advertising not just another form of online video.

We quite clearly have an axe to grind that Gimli the dwarf would give up his helmet for, so, if you think something we’re saying is tosh or wide of the mark, feel free to tell us. But please also tell us why you think that, so that we have a chance to give you the evidence that shaped our view. We promise that we will be as open-minded and susceptible to reasoned persuasion as we hope our readers will be in return. Clean and dirty laundry; both will be very public.

I’d like to kick off by asking you what you think we should cover at our upcoming Televisionaries event on 20th November, which is all about the future of TV. What questions would you like our Televisionaries to address? What topics would you like to know more about? What do you think the future holds for TV? We’ve just announced our speaker line-up, which includes luminaries such as Peter Bazalgette, Roisin Donnelly, Andy Duncan, Peter Fincham, Nick Gill and Marie Oldham. They will no doubt be entertaining, inspiring and insightful, but if you could ask them one thing what would it be?